#Samplitude pro x2 gain plugin series#

The data is stored anonymously by Google. No personally identifiable information is submitted to Google. We may use the information collected through cookies to compile statistics about ad performance. Through Google Ads conversion tracking, Google and we are able to track which ads users interact with and which pages they are redirected to after clicking on an ad. Think what you want to think, ” I still say its about fucking time those unpatriotic asswholes at AVID step up and stop ripping off hard working Americans by selling garbage and then manipulating them into publicly believing that its gold!Īnd you all should stop letting these companies screw you over! Do your homework research cross examine before you buy and make the purchase cause its makes since NOT because WELL So and So in timbuk2 is doing it too so I guess ama gonna do it 2.Our shop uses Google Ads. “Im saying there was NO comparison in sound quality nor features!” We ran many test on location at major studios running PT with MPC2000XL, Motif, CDplayer w/Mozarts CD, VOCALS male/Female featuring Neve Micpre’s & U87 etc., Acoustic guitars, various bass guiars ran direct and so-on.ĮVERY1 would pic the files in Cubase S元 over the files in PT HD3 and yes I did say and using the control panel built into Nuendo/Cubase, neither myself nor any1 here can here the differents when the volume is reduced or the mono switch is engaged! ETC. I purchased an RME Multiface and in I was KILLING these katz PTHD3 systems! The use power of suggestion, deep pocket marketing budgets to monopolize and over charge for in adequate DAW features & sound quality! Ive been working in 32bit float for yearrrrrs and the guys at GC Pro “under contract” will say, “ohh well it does not matter, your convertor is only 24bit blah.blah.” NOW they are boasting as if they have invented CANNED PUSSY…! At got into the digital game 6 years ago, I spent a year testing and researching every DAW available and hands down you couldnt beat a Steinberg Cubase SX3 &/or Nuendo3 rig. Sick & Tired Novemat 10:13 am (10 years ago)Īll of these things they are speaking so highly of about PT10, Ive been doing in cubase & Nuendo 3.2 for YEARRRRRRS! Avid has finally caught up to the curve and all you poor pweople that have been getting bent over a table all these burning money on the digi system, “DO you really want to give away anymore money to this company?” – Mix audio from up to two Pro Tools|HD systems with a D-Command control surface through Multi-mode – Control up to 12 Pro Tools|HD systems from one using the Satellite Link option – Get great recording and playback responsiveness with the extended disk cache, which can load entire sessions into RAM, and ensures maximum track counts from networked-attached storage, such as Avid Unity ISIS, and slower local drives

– Record and play back up to 256 audio tracks per card (or play back up to 768 tracks with three cards) to support the most massive mixes

#Samplitude pro x2 gain plugin series#

– Capture, monitor, and output audio in pristine clarity with a choice of Pro Tools HD Series interfaces – Over 1,000 dB additional headroom and higher resolution sound, thanks to the new floating-point architecture – Work with up to 64 channels of I/O per card, enabling larger configurations with fewer cards – Manage larger productions with fewer cards, with up to 4x the playable track counts – Get up to 5x the processing power of previous generation cards With this new addition there are now two options in the Pro Tools|HD family:Ĭustomers can choose the Pro Tools|HD Native system if they need the workflows and sound quality of Pro Tools HD and want to leverage their host computer to get the best performance and lowest latency, or they can choose the next-level DSP-accelerated Pro Tools|HDX system and get “consistent peak performance and near-zero latency to handle extremely large and complex productions.”Īccording to Avid, with Pro Tools |HDX, you get the following features and capabilities… The system can be scaled to increase track counts, power, and I/O, using up to three Pro Tools|HDX cards and multiple Pro Tools HD Series interfaces. The Pro Tools|HDX system is the new generation of HD systems, and represents a milestone in Avid’s development of DSP-accelerated hardware, delivering up to 5x more DSP per card, over a thousand dB of additional headroom, and up to 4x the track counts and 2x the I/O compared to its Pro Tools|HD Accel predecessor. The new Pro Tools|HDX DSP Accelerator card